Gregory Warren, who plays Parpignol, appeared in his clown-like makeup and tested out the toys in Wanda’s cart, to see which were attached and which weren’t, so he could distribute them to the children onstage. Martyn Blackmore, who was leading Wanda, also got into costume. Allegra put on his hat and 19th-century period coat for a walk across the stage. After an eventful season, in which concerns. “They’re ready.”īackstage at “Bohème,” as Act I got underway, and snatches of arias drifted backstage, the animals and their handlers slowly got their costumes together. Over two nights at Carnegie Hall, Yannick Nézet-Séguin led the Metropolitan Opera Orchestra in an awesome display of its might. “When the horses hear those horns,” Allegra said.
The met opera for free#
He had two in a recent revival of “Aida,” whose Triumphal Scene is one of the most animal-centric in opera. The Metropolitan Opera will begin streaming operas from its Live in HD series for free in an effort to continue providing opera to its audience.
![the met opera the met opera](https://media.npr.org/assets/img/2020/03/19/gettyimages-1064652266_wide-5c23e79685cd4142a15dce1c28363d4d5f640174.jpg)
(He also has a number of other notable roles, including recurring appearances on the television show “The Gilded Age,” and was made up as a zebra in “The Greatest Showman.”) John Allegra, his owner and onstage handler, said, “Anyone, really, could drive this horse.”Īllegra owns 45 horses on a farm in Connecticut, many of whom are frequent performers. It is a dramatic entrance, one that Lord, a 19-year-old former racehorse, has made for years. Lord pulls a hansom cab, carrying the character Musetta and her aging, wealthy lover into Café Momus, where they meet Mimì, Rodolfo, and Musetta’s former flame Marcello.